面对面
战神制作人感叹《黑钟馗》投入心血 反观索尼是流水线_我的网站

一 | On Ram Navami, a festival that celebrates the birth of Lord Ram , the Navmi day of the chaitra Navratri and the enduring values of devotion and righteousness, Narendra Modi chose to share more than a customary greeting. His post featuring the devotional song “Maay Bhavani” brought a sense of spiritual depth to the occasion, reminding listeners of the quiet power of music rooted in faith. The song, from the Marathi film Shahbaz Sunbai, belongs to a time when cinema and music were deeply intertwined with cultural and devotional expression. Its composition by Meena Mangeshkar Khadikar carries a sincerity that avoids excess, allowing the essence of devotion to take centre stage. In an era of fleeting soundscapes, such compositions stand apart for their stillness and emotional clarity. It is, however, the voice of Lata Mangeshkar that celebrates “Maay Bhavani” into something timeless. Her music has long defined the emotional memory of India, moving effortlessly between romance, melancholy, and devotion. In songs of a spiritual nature, her voice often feels less like performance and more like prayer, marked by an almost meditative purity. This quality lends the composition a rare depth, making it especially fitting for a day like Ram Navami, where devotion is both personal and collective. For authors Rachna Shah and Rhythm Wagholikar, the moment carried a deeply personal resonance. Responding to the Prime Minister’s post, they shared a note that captured both gratitude and memory, offering readers a glimpse into the story behind the song. Their note is reproduced here in full: ⸻ Dear friends, It’s so heartwarming to see our honourable Prime Minister Shri. Narendra Modiji post a song on Maa Ambe - Maay Bhavani, on the auspicious day of Ram Navami. The striking part is that this song is composed by my mother Meena Mangeshkar Khadikar and sung by my aunt Lata Mangeshkar.. We just chatted with Aai and told her regarding this post. She shared an interesting behind-the-scene story. This song was originally to be composed by Lata didi herself, however during those days, Didi was overwhelmed with the work load and couldn’t dedicate the time required. So, she requested her sister Meena to step in and do the needful. Meena Mangeshkar Khadikar was an established composer and took charge and this composition took its birth… This post by our beloved Prime Minister opened up a floodgate of beautiful memories and with our heartfelt sentiments we stand in gratitude. Warm regards, Rachana Rhythm ⸻ What emerges from this reflection is a story of artistic trust and familial bond. The decision by Lata Mangeshkar to pass on the responsibility of composition to her sister reveals not just the pressures of her time, but also the quiet confidence she had in Meena Mangeshkar Khadikar’s musical sensibility. It is in such moments that enduring art often finds its form. The Prime Minister’s gesture, therefore, does more than revive a song. It reconnects audiences with a legacy, one that spans generations and continues to shape India’s cultural identity. For Rachna Shah and Rhythm Wagholikar, it is a moment of remembrance and gratitude. For listeners, it is an invitation to rediscover a melody that carries both devotion and history within it. Also Read: Sharda Sinha: A Voice That Became The Prayer of The Soil。 日前,《战神》初代制作人David Jaffe观看《黑神话:钟馗》15分钟实机后,对游戏的表现进行了点评。 观看过程中,Jaffe多次对《黑神话:钟馗》的画面、角色设计以及战斗动画表示惊叹,并特别关注了角色受伤、翻滚、起身、逃跑等细节。

二 | 他认为,这些动作并不只是为了表现“游戏感”,而是让角色看起来更加真实,能够传递出角色当下的状态与情绪。

三 | 他尤其称赞游戏中的动画表现,认为一些看似细微的动作加入了明显的叙事感。例如角色在战斗中受伤后,动作会随状态发生变化,随着伤势加重,角色的动作和战斗表现也更加激烈。在他看来,这种细节让角色不再只是按照固定动作模板进行战斗,而是拥有更强的“生命感”。 Jaffe同时认为,《黑神话:钟馗》目前展现出的内容拥有较为统一的视觉与设计愿景。他提到,游戏中的各种元素并不是简单地堆砌在一起,而是能够感受到背后较为明确的整体方向。

四 | 在与《战神劳菲》进行对比时,Jaffe给出了较为尖锐的评价。他认为,《钟馗》的一些战斗动作和动画让他感受到更强的真实体验,而部分作品的动作则给他一种“机械感”,玩家更容易感觉自己是在按照规律寻找攻击机会。 随后,他进一步谈到了近年来的索尼游戏作品,直言部分作品给自己的感觉越来越像“流水线生产”。相比之下,他认为《黑神话:钟馗》更像一个真正有人投入心血的“梦想项目”,能够让玩家感受到创作者背后的想法、心意以及对作品的投入。不过,Jaffe也强调自己的评价存在个人偏好,并没有否定《战神》等作品的品质。他也提出了唯一的担忧:希望游戏难度不要像《黑神话:悟空》那样高。他透露自己在《黑悟空》中已经卡关,虽然走得很远,但最终还是无法通关。 本文由游民星空制作发布,未经允许禁止转载。更多相关资讯请关注:黑神话:钟馗专区。

五 |
Current article:http://utc.feishuozhuangkeqi.cyou/list_nm1/5g7s.htm
Published on:01:01:46

康熙来了
欢乐颂